viernes, 16 de abril de 2021

Matching poems written in English language with famous paintings

No Man is an Island (1624)

By John Donne


No man is an island,

Entire of itself,

Every man is a piece of the continent,

A part of the main.

If a clod be washed away by the sea,

Europe is the less.

As well as if a promontory were.

As well as if a manor of thy friend's

Or of thine own were:

Any man's death diminishes me,

Because I am involved in mankind,

And therefore never send to know for whom the bell tolls;

It tolls for thee.


Edward Hopper, Office in a Small City - 1953

          

   Matching poems written in English language 

                    with famous paintings


Shared by Beatriz Monje:

Poems and famous paintings

Level: A2 to C2. Any level secondary school level depending on the poem chosen.

Organization: Single students, pairs or groups. Depending on the teacher’s choice.

Language focus

That on each of the poems. Also descriptive language, colours, shapes, present simple. Describing a picture: on the forefront, on the background, on the right, on the left… you can see or passive voice: it can be seen…

Language for presenting a topic (higher levels).

Objectives

1. Practice reading comprehension by reading and understanding famous poems written in English language.

2. Analyse the meaning of the poem and the reasons why students chose a particular painting to match a poem by focussing on the meaning of both, the poem and the painting and how that is relevant to the students’ personal experiences and previous knowledge of the world.

3. Practice written language by taking notes to prepare an oral presentation.

4. Practice oral production by presenting work to the rest of the students in class.

5. Practice oral comprehension by listening to the presentations of the rest of the students in class.

6. Practice question making.

Access to Beatriz Monje's booket containing the whole lesson plan with quite an amount of matched poems and paintings. 


What Am I?

By Jo Peters


I have no colour,

not even white,

but sometimes I’m wide and blue.

Sometimes I’m still,

and sometimes I rush,

and I can fall down on you.

I can change my shape,

I often do,

but I’m hard to hold in you hand.

You need me to make

your castle stand up

when you’re playing in the sand.

I haven’t much taste

but on a hot day

your tongue’s hanging out for me.

Then I am cold,

but I can be hot

when I’m in your mum’s cup of tea.

What am I?



Joaquin Sorolla, Boys on the Beach - 1909


jueves, 15 de abril de 2021

The Pantocrator in Saint Climent of Tahul and Mystery's House in Pompeii

                                            https://upload.wikimedia.org/wikipedia/commons/e/ed/Meister_aus_Tahull_001.jpg

Shared by Rebeca de Paz:

My task is for 2nd of ESO History class. We are going to talk about art in Middle Ages, specifically in Feudalism Era, so we will study Romanesque style. 

It is going to be the first time for them studying art since last course, 1st of ESO, so we´re going to do an introduction to art in these ages. The last art they have seen was Roman, that-s why I have chosen a roman piece of art and a Romanesque painting. The two pieces of art are: a fresco in Mystery’s House in Pompeii, and  a Spanish fresco in Saint Climent of Tahull, in particular the great Pantocrator.

The aim of this exercise is not only the study of the art, but the mentalities as well. The have to notice the change between the Roman lives, more sophisticated y thriving, whereas in the Middle Ages, everything looks like a new beginning, as if they have forgotten everything people achieved centuries before.

Regarding the art, we need students to understand the different purpose of the art in both ages, while in the Roman Empire art is for enjoyment, Romanesque style has an obvious aim: understand the religion.  

We will ask the students the similarities and differences that they see in the painting, such as the theme, colour, perspective or the features of the characters that appear. 

We want them to realize that while in the Empire what is naturalism is taken care of, that the models resemble reality, with mythological themes referring to their religion, with Christian painting we see how everything that is aesthetic is lost to give importance to the message, which in this case is the indoctrination and understanding of the bases of religion for a totally illiterate population. 

The container does not matter if not the content, so it does not matter that that Christ in Majesty has little expression nor has disproportion, so what matters is what that Christ judge, the beginning and the end of everything, means.

I would do this activity at the beginning of the didactic unit related with medieval art: Romanesque and Gothic styles. This activity gives me as a teacher the opportunity to start an evolution of the art, rescuing educational contents of the previous year, and they can understand History is not compartmentalized but it is a constant evolution.



miércoles, 14 de abril de 2021

Photographies by Elliot Erwitts and Angelica Dass

 Shared by Miriam García:

COMPARATIVES  

                     Photograph: Elliott Erwitt’s Bridgehampton New York, 1990

Students will be asked the following questions:
1. What do you see in this photograph?
2. Can you compare the girl and the man? They will have to do comparisons of equality, superiority and inferiority.
3. Do you like this photograph? Why?



SUPERLATIVES

Activity 1  Photograph: Elliott Erwitt’s New York City, 1974


Students will be asked the following questions:
1. What can you see in this photograph?
2. Use superlative adjectives to compare the following elements:
- Legs
- Ears
- Head
- Speed
3. Do you like this photograph? Why?



Activity 2  

              Photograph: Robert Doisneau’s Information Scolaire, Paris 1956

Students will be asked the following questions:
1. What can you see in this photograph?
2. Use superlative adjectives to talk about the following kids:
- The cheater
- The hard-working
- The thoughtful
- The
3. Do you like this photograph? Why?


Activity 3  
Project: Angelica Dass’s Humanae

Students will be asked the following questions:
1. What can you see in this photograph?
2. Use superlative adjectives to talk about the people regarding their…
- Age
- Hair
- Skin
3. What do you think about this project?                                                             
 Get to know about it: https://angelicadass.com/photography/humanae                                  What is its main goal? 

https://fotogasteiz.com/wp-content/uploads/2019/12/angelica-dass-pantone-1024x683.jpg

The XIX century Architecture

 

Architecture in the second half of the 19th century


Shared by Ana Belén Aller:

The activity is designed to address the architecture of the second half of the 19th century is as follows:

These two images will be projected, one corresponding to the School of Chicago and one on modernist architecture.

1. Look at the images below:



Students must fill out a table with the chronology, materials used, main features, works and architects. 

2. Complete the table and classify out the following characteristics:

- Their structure was made with cast iron and Steel.

- the walls were made with glass.

- Curves and wavy lines were the predominant features.

- Organic motifs.

- Lifts and telephones were incorporated.

- The architects designed every aspect of the building (furniture and balconies).



- Finally, each student must search for a work of art of each of the styles and comment on it to their classmates.



martes, 13 de abril de 2021

The symbols of power through art and time

  https://padlet.com/ccssbilingue/dpkes7u57twtwp8g


THE ICONOGRAPHY OF POWER

The symbols of power through art and time


Shared by Ángel Salvador García: 

A PROJECT FOR 4TH ESO UNIVERSAL MODERN HISTORY SUBJECT

 In the Padlet link you have several pictures of famous works of art of different periods related to the image of power.

The idea of this project is to give you a wide perspective about how, in the exercise of power, the Art has been used throughout History as a useful tool, used by institutions and individuals to control behaviour, beliefs, attitudes and opinions of those submitted to them through certain iconography.


First of all, using Google Lens identify each one of the works of art. Then, create a timeline in which you have to place in chronological order all of them. 

You can use the timeline option from Padlet, and dont forget to include some facts about each one of them (character depicted, chronology and historical period, name of the work of art). You can add new works of art related to the project´s subject

After that, it´s time to reflect and write an essay of 200 words about Iconography of power in Art based on the following questions:

 - What do you consider as a symbol of power in a work of art? Could be objects or something else?

- What kind of individuals are related to Power symbology depiction?

- Is there an evolution of the power iconography throughout time or, on the contrary, they have kept immutable?

- Do you think this kind of art is effective for its own purposes (related to power)?

- Can you find similarities between the pictures you have analyzed?

 


The Card Players by Paul Cezáne

                                            https://en.wikipedia.org/wiki/The_Card_Players


Shared by Ángel Santiago García:

This is the work of art I chose for my activity. It was used for Sixth Primary Students in English and Art classes in three sessions of English and two or Art.

The activities provided for the English class dealt with describing people, clothes, actions and free time activities.

The grammar content was mainly present simple and continuous, have got, there is / are and the vocabulary related to colours, clothing, hobbies, prepositions.


Then in the Art classroom students were asked to colour the picture taken from colouring pages :

https://www.pinterest.pt/pin/586734657676061395/ offering their own view or even doing it in a Warhol way: 

https://www.tate.org.uk/kids/make/paint-draw/make-pop-art-warhol


They were also asked, if they wanted to, to do it spreading modeling clay over a hard paper.

War posters and propaganda

 


Shared by Beatriz Vega:

We are going to use propaganda posters to study WWII but focusing in other aspects than weapons and battles. 

To know how people, both soldiers in the vanguard or civilians at the rear, were “bombarded” with propaganda to ensure different goals. Some pointed to increase the patriotic pride, others advise the population to stay vigilant against spies; others depict the enemies as devils… Each country (from the Axis or the Allies) had artists and intellectuals enlisted to promote their views.


War posters are not exactly considered works of art, but they depict vividly basic ideas and with easy, even naïve, messages.

After explaining the unit, we are going to see in class short films (Disney and Warner Bros cartoons) and posters of different combatants (they will learn to use the correct language to depict the typography, colours, messages…).

Then, every student is going to choose one poster (in English, from the British or American armies) and they have to depict them and explain its pourpose.

WEBS with posters and more information:

https://stacker.com/stories/3949/30-iconic-posters-world-war-ii

https://www.allworldwars.com/Russian%20WWII%20Propaganda%20Posters.html

https://www.archives.gov/exhibits/powers-of-persuasion

https://www.iwm.org.uk/learning/resources/second-world-war-posters


https://www.dw.com/en/how-the-nazis-used-poster-art-as-propaganda/a-55751640

https://www.history.com/news/world-war-ii-propaganda-posters-photos-united-states-home-front

Separation by Edvard Munch

 

https://artsandculture.google.com/asset/separation/-AFoDHxU1msdjw


Shared by Mª José Cirilo :

I find this painting very useful with my diversification and PMAR students because they don´t need to have very complicated vocabulary.

The simplicity of the language is not a problem, it is a strong weapon for weak students. Students love coming up with stories


The work of Art I've chosen is "Separation", by Edvard Munch.

First they think about the characters in their story:

-who are they,

-where are they right now,

-what are they doíng, 

-what season of the year is it, ...

They also have to choose among these questions to start telling their story:

-Who was involved?

-What happened?

-When did it happen?

-Where did it happen?

-Why did it happen?

-How did it happen?

The variety of students help to have lots of great stories.

As a second part they talk about their interpretations. We also work on some information about the artist and their paintings.



El rey Amadeo I contemplando el cadáver del general Prim, by Antonio Gisbdert

 



Shared by Ana Mª Martínez:

Year: 4th ESO 

Topic: 19th century in Spain. 

We had to study Kingdom of Amadeo of Savoy , The Glorious Revolution and First Republic in Spain in 19th century.

The Picture is called The visit of King Amadeo. It represents the visit of King Amadeo to coffin of politician Prim. It was painted by Antonio Gisbert in 1870.

First of all:

I have prepared a powerpoint presentation about Romanticism. Last slide is The visit of King Amadeo. We can use this image to do this activity.

Firstly in common:
-analyze color, drawing, perspective, light..
-Explain which characters appear, to which social classes they belong.
-Identify characteristics of romanticism such as an expression of feelings or the glorification of national history through the elements of the picture.

Second:

They will work in pairs answering these questions:

What had happened?

What's happening?

Explain the historical situation and the consequences of this image.




Primera y segunda ponencias del curso

Primera y segunda ponencias del curso

       EMBELLISH YOUR ENGLISH LESSON WITH ART. SECONDARY Click on   the image above to access to the contents of the first session of the c...